Both “Catch the Moon” through Judith Ortiz Cofer and “The Bass, the River, and Sheila Mant” through W. D. Wetherell are short stories with comparable ideas and also themes. Return the characters and plots differ slightly, the main themes are an extremely similar. In “Catch the Moon”, the love the the main personalities mother proceeds to strengthen him even after she death. In “The Bass, the River, and Sheila Mant”, the narrators love because that fishing proceeds to give him toughness after he loses the girl he thought he loved.

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In both brief stories, love gives the main character strength.

In Cofer’s “Catch the Moon”, a teenage boy, Luis, who had been running with the totally wrong crowd is let the end of a juvenile room on the simulation that he will labor because that his dad at his junkyard for the staying six months of his original sentence. Luis started making negative choices after his mother died three years before. Once his mother passed away he began to not get in addition to his father also though his father offered him a job at his junkyard.

that does not appreciate his father’s junkyard business and considers him pathetic due to the fact that he won’t let walk of something that pertains to his mam that pass away.

To record The Moon

Luis’s situation remains unmodified until that meets Naomi, a stunning young mrs who requirements Luis’s help finding the ideal hubcap for she Volkswagen. Unknown come Luis, Naomi’s household owns the funeral house where his mummy funeral was held.

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This, together with Naomi’s wholesomeness, brings ago Luis’s storage of his mother, due to the fact that she always told him just how proud she was of him, even when luis did nothing. His mother’s native of kindness and encouragement cause Luis to have a revelation; he division down and begins come see points in an entirely various way.

Luis cd driver to the junkyard late one night, climbs up on his mountain of hubcaps, and, “by lamppost light”, begins what he refers to as the “treasure hunt” because that the “moon-shaped wheel cover” for Naomi’s car. He “sorted the wheel covers by make, size, and also condition, stopping only to call his father and also tell him whereby he was and what he to be doing. ” When lastly Luis discovered the perfect complement for Naomi’s VW, that washed and also polished it, then on one oak branch external her window, hung it, “the very first good thing he had given to everyone in a long time” (239-240). During Luis’s late night search for Naomi’s perfect hubcap he came to be closer come his father.

He realized that doing “something that had a beginning, middle, and an end” (239) has a overpowering result on people. He realized the factor why his father had been maintaining so liven the previous three years was since of his mother. Louis made a promise to loan a hand come his father an ext often; he also promised self he would certainly construct a display wall for his father’s junkyard, the same company he used to hate. The love Luis’s mother had for both Luis and his father ended up being their strength even after she was gone; it simply took louis a longer time to establish this.

In Wetherell’s “The Bass, the River, and also Sheila Mant,” the narrator additionally has an interior struggle in the beginning. Sheila Mant, the girl following door, i do not care the narrator’s thing of infatuation. He at some point gets the courage come ask her the end to a local dance, and also offers come take she there in his little fishing canoe. On the way, he discovers that Sheila is strongly against fishing; she considers the “definitely dumb. ” simply then, his rod that he had cast habitually before picking she up, bends double: “The line, strict coiled, turn off the spool v the shrill, tearing zip that a high-speed drill” (247).

The narrator doesn’t desire Sheila as well think anything negative of him because he likes fishing. So, “through a superhuman initiative of self-control,” the narrator cut the heat “with a sick, nauseous feeling in stomach” and also continue to the dance v Sheila (249). The run is every a fog because that the narrator; the only event he remembers plainly is Sheila approaching him after that to inform him the she would certainly be leaving through Eric Caswell in his Corvette. Transparent his entire canoe ride, the narrator was faced with an internal dilemma. He love to fish, however he thought he love Sheila more.

It would be great if he could reel in possibly the greatest bass that had ever hooked, however then again, it would be good if Sheila Mant, the gorgeous girl next door who was three years older 보다 him, pertained to love him. There were two courses the narrator can have taken, and also he made his decision. What the didn’t know was that Sheila would finish up leaving that anyway. The realizes that his love for Sheila was just temporary because “the assignment she actors over was gone prior to the month was over. ” The narrator quiet regrets his decision; he says that “the storage of that shed bass haunted me all summer and also haunts me still”.

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Even after shedding what he thought was the love the his life, the narrator’s love because that fishing offered him toughness in the year to come. That “never do the same mistake again” (250). Love have the right to do countless things. It can be both harmful and beneficial. Love deserve to scar, and also love deserve to inspire. Love can torment, and love deserve to encourage. Love have the right to irritate, and love deserve to comfort. The unseen pressure of love have the right to go even further than that, though. Love have the right to strengthen. This is seen v both main personalities in Cofer’s “Catch the Moon” and Wetherell’s “The Bass, the River, and also Sheila Mant”.

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